The Joy of Music

Throughout the pandemic, Christ Church Cathedral has been able to safely host a variety of musical performances, both public and private, under its COVID-19 operational plan.

After months of small groups of singers and no corporate singing, it is a blessing to hear voices lifted high in worship once again. Under the current Yellow Phase of the operational plan, members of the Cathedral congregation may now also sing during worship, wearing masks and maintaining two metres of physical distance between ‘bubbles. The choir and band continue to lead music, also maintaining appropriate distancing between performers. During Easter worship, an expanded choir was accommodated by using the sanctuary to spread out. The choir met in advance to rehearse and work out the 'choreography' and seating chart required to ensure physical distancing.

A variety of Fredericton musicians have also been welcomed into the Cathedral throughout the pandemic, with safety precautions such as attendance limits, sanitization, physical distancing, and masks for attendees (under public health guidelines, performers may remove their masks while singing if they are able to maintain appropriate distancing).

Public concerts at the Cathedral have included: the Elm City String Quartet; the Fredericton Symphony Orchestra and Atlantic Sinfonia; a concert featuring soprano Sally Dibblee, baritone Luke Noftall, and organist Thomas Gonder; as well as a solo organ concert by Cathedral Director of Music Thomas Gonder. Each of these concerts has been well attended by members of the community, who shared appreciation for the opportunity to listen to live music during this distressing time. We were honoured by the presence of Lieutenant Governor Brenda Murphy and her spouse, Her Honour Linda Boyle, at the Elm City String Quartet performance.

Christ Church Cathedral has wonderful acoustics which have been appreciated by several Music Festival participants, who were able to film their performances in the Cathedral with the assistance of their voice teacher, critically-acclaimed soprano Sally Dibblee.

Muriel Falkenstein will be advancing to the Provincial Music Festival at the Intermediate level. / Landon Garrett performed a song from the musical Hamilton in the Music Theatre class. / Muriel Falkenstein and Anne Marie Murphy. / Gillian Butler is one of two singers from Sally's studio chosen to represent Fredericton in the Junior Vocal Solo category at the Provincial Music Festival.

A mother-daughter pair dressed up for two themed rehearsals of the Fredericton Ladies' Choir.

The Fredericton Ladies Community Choir has combined technology and live performance in their practices. The choir been practicing online using Zoom during the pandemic, but this spring the choir, under the direction of Sally Dibblee, began livestreaming its rehearsals from the Cathedral. With the assistance of Cathedral audio/visual expert Peter Jacobs, physically distanced duos and trios were filmed to help the at-home singers follow along with their vocal parts. Choir rehearsals sometimes included costumes, such as a theme of ‘dress as your favourite choir song’, and a formal evening.

The Cathedral welcomes members of the community at worship and throughout the week. Inquiries about rentals can be directed to the Cathedral Office by email or phone (506) 450-8500.

Organist Thomas Gonder

Luke Noftall, baritone and Sally Dibblee, soprano

Elm City String Quartet – Friday, 26 March 2021

We're so pleased to host the Elm City String Quartet!

The Elm City String Quartet performs at the beautiful Christ Church Cathedral, featuring works by Haydn, Borodin, and Shaw.

The Elm City String Quartet returns to the beautiful Christ Church Cathedral for their first concert of 2021. Enjoy the charm of Haydn’s “Lark” quartet, the romance of Borodin’s quartet number one, and the dynamism of Caroline Shaw’s “Blueprint.” The concert will be one hour in length with no intermission. Pre-registration is strongly encouraged. Please bring your community mask.

I’m told I can’t sing

For many of us one of the significant losses during necessary safety restrictions during the current pandemic is singing.

At the Cathedral, we're fortunate that we've been able to strike a safe balance so as to have music continue to be a part of worship even though we've not been singing as congregations since last March. The size of our worship space and a less than mainstream direction from New Brunswick Public Health about a safe exception for leaders and performers means that even if we can't all sing, we can listen. We can follow the sung texts at least in our minds, maybe even hum along a bit and remain within safe practice.

Find here some reflections offered several weeks ago by Cheryl Jacobs about how "being asked not to sing" might be an opportunity to expand our outlook and our attitudes.

Yes, in these odd and tragic times, we in the congregation at corporate worship have been asked not to sing.  This is a disappointment for many of us.  Perhaps, however, it is an opportunity to consider and expand how we worship during a hymn or song.

Here are some thoughts:

  • Say the words, perhaps working on doing so from memory.  Memorizing scriptural words and truths through song is good for our minds and our spirit as we hide God's word within us (Psalm 119.11).
  • Pray the words - in praise or for yourself, our church, or someone who comes to your mind.
  • Meditate on a phrase or verse.  Those who are singing on our behalf can worry about all the words and we can focus on a particular aspect of God's love and grace, or our response to that.
  • Worship with your hearing, pondering the words of James that we should always be quick to listen and slow to speak (1.19).
  • Worship with other parts of your body: tap your feet (Jeremiah 31.13), or extend or raise your hands (Psalm 134.2).  Give thanks that there will again be a "time to dance."

Cheryl Jacobs

I'll bring you more than a song
For a song in itself
is not what you have required
You search much deeper within; 
you're looking into my heart.
                   "When the Music Fades" (The Heart of Worship)  Matt Redman

 

 

Happy anniversary, Thomas!

This January, Cathedral Organist and Director of Music Thomas Gonder is celebrating the one year anniversary of his arrival in Fredericton. As we reflect on the blessing of his music ministry during this most unusual year, we thought it appropriate to look back on this interview originally published in the NB Anglican shortly after Thomas' arrival in our city.

[Photos and text by Gisele McKnight, 2/18/2020]


Cathedral welcomes new music director

Some call it happenstance. Others call it God’s hand.

Thomas Gonder believes it was definitely God’s hand that brought him to Fredericton — specifically to Christ Church Cathedral as its new director of music. He began his role here in early January.

Thomas, 48 and originally from London, Ont., lived in Toronto for more than 12 years, working as an organist in Anglican Churches. His path to New Brunswick began last summer, when he was invited by Leo Marchildon to perform at St. Dunstan’s Roman Catholic Basilica in Charlottetown.

A lifelong Anglican, Thomas decided to make the trip really count. He’d always wanted to visit Christ Church Cathedral in Fredericton.

“I’d seen pictures, so I thought, ‘why not see if I can play there,’” he said. “Might as well make the trip more worthwhile.”

So he wrote to then-director of music, David Drinkell, who extended a hearty invitation. Thomas spent four or five days in the city, and loved every minute.

“I played an organ concert here on a Saturday night,” he said. “There were about 100 people there. I thought I might get 20.”

But while preparing to return to Toronto, he realized he didn’t really want to leave.

“I was overwhelmed by the kindness of strangers, the enthusiasm people have for music,” he said. “I was surrounded by trees instead of condos.

“When I went back to Toronto, I sank into a bit of a depression. I felt as if I really connected to this place in a specific way — not just with the Cathedral, but with the whole city. I crave nature and I couldn’t find that in Toronto.”

The sad and untimely death of David Drinkell later that fall opened up an opportunity that Thomas did not see coming. He’d struck up a Facebook friendship with Elspeth, David’s wife, and had lively correspondence with David. Now he realizes his August visit to the city was all God’s plan, not his. When the vacancy appeared, he felt he had to apply.

With an offer in hand, Thomas left St. Matthew’s Anglican Church in Islington, in the Diocese of Toronto, to direct music in his first cathedral, and he couldn’t be happier.

“The draw to come here was irresistible,” he said. “I didn’t need this job. I had one I really liked, but I had to take this chance.

“I was growing so weary of Toronto — the cost of living, the hustle and bustle, the noise — it became too much for me. It was wearing down my senses.”

Now he walks to work via Odell Park, and revels in the bird song and the smell of trees, things he has sorely missed for many years. Moving to a new city in the middle of winter isn’t ideal, he said, but he’s enjoying the nature, the people and the work.

“I feel like it’s healing me,” he said. “Now that I’m here, all those feelings I had are confirmed.”

THE PEOPLE
What Thomas has found so far is a group of people — the choir and the 11:45 worship band — who are enthusiastic and skilled.

“I get to work with such a terrific choir,” he said. “And the 11:45 worship band is so talented. Everyone has made it very easy for me. I feel no stress.”

He’s also thrilled to return to his roots, “being able to play all aspects of Anglican liturgical music. I feel like a kid again!”

His great love of church music began when he was 10 years old, joining the choir at St. Paul’s Cathedral in London.

“It was a revelation, if 10-year-olds can have revelations,” he said. “I’ll never forget that moment.”

THE PLANS
He describes himself as a concert organist and liturgical musician, and he aims to put those talents to good use. As for the work, he’s got big plans.

At St. Matthews, he and the parish replaced the organ through a vigorous fundraising campaign and he hopes to use that experience here. The Christ Church Cathedral organ was last rebuilt in 1981, and Thomas believes it’s overdue.

“The goal is to renovate this instrument,” he said. “It’s showing wear and tear. Oddly enough, it’s a bit big for its environment. I think it needs to be reimagined for the space.”

Thomas sees that as a long-term project of up to 10 years, but in the end, “this could be the finest instrument in the Maritimes.”

He also sees a great deal of potential in the Cathedral itself: a beacon of inspiration for the diocese, a centre for arts and culture, a dynamic music program to share with the community.

“My goal is to make the Cathedral what most cathedrals have been for centuries — a centre for the arts,” he said.

Recently, as he listened to Dean Geoffrey Hall preach, he was struck by the sermon’s theme: ‘hearing the call, answering the call.’

“I had no urgency to leave my job, but I had to answer the call,” he said.

 

Reprinted from nb.anglican.ca

Anglican Cathedral Musician Opportunity

Christ Church Cathedral, in the Anglican Diocese of Fredericton, is seeking an experienced half-time Director of Music to continue its program facilitating a balance of vibrant traditional and contemporary Anglican worship. As the Cathedral is a centre of excellence in the musical arts in the community of Fredericton, New Brunswick, an RCCO level five or above, organist qualifications and experience are preferred.

Instruments available include a four manual Casavant organ, handbells, a small grand piano and instruments / audio equipment used for contemporary music. The application deadline is November 2nd, 2019. Résumé and covering letter detailing qualifications should be forwarded to the Selection Committee Chairperson, Christ Church Cathedral, 168 Church Street, Fredericton, New Brunswick, Canada E3B 4C9 or [email protected]. Questions to [email protected].

For the information of applicants regarding additional employment: St. Thomas University is in close proximity and has a well established fine arts programme. The University of New Brunswick also identifies itself as a centre for the musical arts. Ample opportunity exists in Fredericton for private students in music education.

In Memoriam – David Drinkell

In Memoriam - David Drinkell

The church family at Christ Church Cathedral continues to mourn the death of organist and director music David Drinkell.

Notes of sympathy and condolences, literally from all over the world, continue to flow in. David was very well known and regarded in the music community. Among the communications are those from Brunswick Street Baptist Church, Fredericton,  the Organ Club (UK) and Belfast Cathedral where they have posted a memorial to David. David's previous post was as organist at the Cathedral of St. John the Baptist, Diocese of Eastern Newfoundland and Labrador in St. John's. The Fredericton Daily Gleaner, published a story about David this week. A tribute in the November edition of Anglican Life (Newfoundland Dioceses') by Ashley Ruby, page 11 -- "An Increased Richness in Heaven."

David made the music in Cathedral worship seamless

As a Cathedral member put it this week, "David made the music in Cathedral worship seamless." Indeed, he did. His knowledge of traditional Anglican worship and its music often baffled the best of us, yet he met the challenges of more contemporary musical styles in leading the 11:45 a.m. worship group each Sunday with grace and proficiency. Let us give thanks for his confidence in Christian faith. We are indebited to him, perhaps most for his friendship, but also for his faithful, yet far too short, ministry of music among us.

Later in the day on Thursday, 26 September 2019, the Dean wrote to the Cathedral congregation by way of email:

Subject: News shared with a heavy heart
Date: 26 September 2019

It is with sorrow and a heavy heart that I write with very sad news.

You’ll remember that David Drinkell had, what we all considered, a successful emergency surgery last week. Early in the day on Sunday, it was becoming more apparent that complications from the surgery were developing and Sunday afternoon, David underwent a second surgery to address those difficulties.

Since Sunday, David had been in ICU, on life support and, his condition continued to worsen. Medical tests and scans on Wednesday were not revealing good news about his chances for recovery. Earlier today (Thursday) it was determined that chance had become very slim, if not non-existent. At about 5:30 p.m., life support was removed and David died peacefully at about 7:20 p.m..

It was my privilege that Elspeth allowed me to be present. Kathleen Snow and Janet Mahar were also with us. The care David received from the whole health team at the Everett Chalmer’s Hospital was outstanding and we are all thankful for them. Everything possible was done. Thanksgiving is also due for all who have helped in any way over the last several difficult days, perhaps most especially Marilyn Lewell who has been a rock for Elspeth through much of this ordeal.

Most of us are very conscious of the precarious financial position this creates for Elspeth. There may be opportunities, for those whom are able, to offer support in a financial, as well as other many ways, in the days ahead. We’ll try to coordinate that as best we can and further direction should be forthcoming.

Please pray for David, Elspeth, other members of David’s family and friends who will be hearing this news shortly.

"Lord, now lettest thy servants depart in peace, according to thy word."

God's blessing.

Dean Geoffrey Hall
GMH

David's funeral will be at 2:00 p.m., Tuesday, 08 October 2019, at Christ Church Cathedral, Fredericton. There will be no visitation prior to the funeral. Long time friend, Anglican priest and Rector of the Parish of Rothesay, the Rev'd Paul Rideout, will be the preacher. Friend of the Cathedral and former director of music, Dr. Willis Noble, will be the organist. A reception at the Cathedral Memorial Hall will follow.

Read David's obituary on the McAdam's Funeral Home website

Music Monthly – September 2019

1 September 2019 - Twelfth Sunday after Pentecost

10.00: Choral Eucharist (BAS)
Cantate Domino - Pitoni
Missa Secunda - Hassler
Psalm 81:1, 10-16
O sing joyfully - Batten
631, 319, 10, 60, 306
Homage to Perotin - Roberts

8 September 2019 - Thirteenth Sunday after Pentecost

10.30: Eucharist on the Green (BAS)
Fredericton Missa Brevis - Murray
Teach me, O Lord - Byrd
Hymns on Order of Service

15 September 2019 - Fourteenth Sunday after Pentecost

10.00: Choral Eucharist (BAS)
God be in my head - Rutter
Stanford in B flat
Psalm 14
O for a closer walk with God - Stanford
8, 594, 116, 611, 628
Postlude in D minor - Stanford

22 September 2019 - Fifteenth Sunday after Pentecost

10.00: Choral Eucharist (BCP)
Oculi omnium - Wood
Darke in F
Psalm 79:1-9
Expectans expectavi - Wood
574(Old 124th), 521, 445, 87, 576
Fantasia and Fugue in G minor BWV 542 - Bach

29 September 2019 - Saint Michael and All Angels

10.00: Choral Matins (BCP)
Give almes of thy goods - Tye
Smith Responses
Venite
Psalm 91:1-6, 14-end
Ireland in F
380, 501, 351, 577
Toccata - Mushel

Thomas Gonder in Concert August 3rd

Saturday 3 August 2019
7.30pm

Marche Nuptiale - J. Thomas D. Gonder
Mouvement - Jean Berveiller
Toccata and Fugue "Dorian" - J. S. Bach
Fugue pour St. Sulpice - David Briggs
Marche Episcopale - David Briggs
Prelude in e - Gerald Bales
Scherzetto - Joseph Jongen
Acclamations Carolingiennes - Jean Langlais
Ezpata Dantza - Naji Hakim

J. Thomas D. Gonder, born in Cayuga, Ontario in 1971, exhibited musical gifts at an extremely early age. He spent most of his life in London, Ontario, his family having relocated there in 1981. Immediately becoming involved in the musical life of St. Paul's Cathedral, he spent many years there as a chorister, Organ Scholar, Assistant Organist, and Organist and Master of the Choristers. Thomas quickly rose to the forefront of the Canadian Organ scene as one of its brightest young performers shortly after his public debut at the age of 15 under the tutelage of D. Mervyn Games. His teachers, mentors and greatest influences also include David Palmer, Ian Sadler, William McArton, Catherine Crozier, Simon Preston, Gerald Bales, Naji Hakim and David Briggs.

Thomas Gonder

J. THOMAS D. GONDER

Thomas has developed a wide-ranging career as organist, accompanist, church musician, singer and composer. Naji Hakim (Paris, France) has described him as "a deeply feeling and emotional player," Simon Preston (Great Britain), "an amazing talent," and the esteemed Canadian musician Gerald Bales, OC, (1919 - 2002) proclaimed him the foremost interpreter of his organ works. Thomas has earned himself a reputation as an exciting, virtuoso performer of distinction in command of a vast repertoire, most notably with the French Romantic and Post-Romantic repertoire, having twice performed the complete Organ Symphonies of Louis Vierne. Thomas is internationally recognized as a leading interpreter of the organ works of Naji Hakim of Paris, France, the most prolific composer of organ music in the world today. Thomas has premiered much of Mr. Hakim’s work in Canada. In 1995 he gave the Canadian Premiere of 'Vexilla Regis Prodeunt' at the Jack Singer Concert Hall, Calgary, Alberta. 1997 saw the World Premiere of Gerald Bales' 'Impromptu-Toccata' at the closing concert of the Royal Canadian College of Organists National Convention. Thomas has also had numerous works composed for him and recent years have seen two world premieres of works by Parisian composer, Nicolas Chevereau and "Elegie Canadienne" by David Briggs.

Thomas is extremely active - and immersed in - all facets of the music scene in Toronto and is also in his sixth year as Organist, Music Director and Artist in Residence at St. Matthew's Anglican Church, Islington.

When I listen to your playing I say to myself "Here is an artist who understands the very spirit of my music!

~ Naji Hakim, 19 September 2013

St. Matthew's Anglican Church, Islington
Thomas Gonder on Facebook